by John Jeffire
Everybody Gets It But You
Speak to speak in time,
note left on the kitchen table,
fading names scrawled on
cracked backs of photos, pyramid
drown in the drift of dunes, tags
sandblasted by another hail of echoes.
Leaf bud in the new spring wind:
the whistle of our movement,
trace of the lost jawline,
wanting to know something of
what strangeness we believed.
In our shadow, the pace petty,
a cairn of unmatched shoes, coats
only a fool would have worn,
armless statues, pocked columns,
bits, bytes, footprints, strewn
stones of someone’s religion,
sepulchral pocket emptied of
lived lint and unlived hours.
I speak to myself. Admission:
the city was rigged against me,
dimed and nickeled in cheap wine,
no one’s fault but the jackal—
I thought my way onto a highway
with no off-ramp circling
a mythical star, reciting todays
in a temple for tomorrows.
First morning post-op I come
to life alone at first light,
wash the sickness of dust
and charred crust of fear
from the sidewalk, root
deep against a dark sky
of expanding clouds.
I think of salutations…
We have this tomorrow.
I find your towel
from yesterday on
the edge of the bed,
still damp with your scent,
my every flesh drinking
Spoon Girl
The self we wish
Is not a self you’ve
Ever been or could be,
And that’s okay. So
Think of a cloud sprinkled
With spring, cucumber
And lavender, the voice
Of our grandson
Humming a song
Brimming butterflies and
Raspberry candy,
Lighter than that cloud
As he tosses a ball
For our dog, his notes
Hibiscus sweet on
The ear’s tongue.
Take this morning’s spoon
You’ve been gifted
And ladle it dripping
With jam and laughter,
Stir in the plum of your lips
And a cardinal arcing
Across a dandelion field.
This hurts me:
You will never not hurt.
No dream can lift that
From the beautiful groove
Along your collarbone
Or reshape the cup
Of your skull to cease
The cerebellum’s descent.
The pain must be,
The fox squirrel or
Rat snake that pirates
The robin’s egg, deer fly
At the screen door,
Hare in the carrot patch.
I spoon you into midnight,
Root to valley, arm
Draping the moon
Of your hip, hyacinth
Nape timeless drunk adrift.
We will still dream,
Scoop deep in the sky,
Taste whatever fruit is sweet
And heavy on our vine.
What We Talk About When
We Talk About Love
Too many ways of looking
At a blackbird tossed
In the autumn sky.
From the dry shadows
Of the bed from which
The sun cannot step,
Your whisper flits above:
I am free to leave.
First, a living will,
Power of attorney,
No machines or tubes,
We first discussed this
When our hearts beat quick
In the raven’s glimmer,
A clatter of wings burst
At red clay and live oak—
Free to go.
The wind knows all directions.
I wipe feces from crevices
My tongue once explored,
I scrape uneaten meals
From cracked plates,
I dig arms under whatever
Is left to dig under—
So many ways of looking
At a blackbird thrown
In an autumn sky, life alit
In the few uncollapsed rivers
Of your hands, and I consider
The offer, freedom, mine from
You or yours from me not clear.
Stand with me, survey the distance:
Blanched earth, seedless,
Scab stubble frozen pools,
Creek frozen in its sheets,
The only proof of life its absence:
The bank gives way beneath our feet,
I grip the crest of your waist,
And one wing between us,
We take flight.
Saudade I
I watered your plants this morning.
I don’t know any of their names,
Just that they’re purple and red
And beautiful and need water,
And that you love them and that
Makes me love them too.
What I do know is 86 over 60,
Intercranial pressure, that the cerebellum
Should not slide into the spinal column.
Of course, I do know one of the plants.
The hanging pot is filled with strawberries.
The sun has baked them ripe as your lips.
They are warm, tender to the tongue.
Delicious, needing water.
Love With a Dying Woman
The night we met our tongues
jigged an insatiable fingertip tango—
we lapped ourselves full of our
deepest selves, a joyfest of fever and
delta wetland at the willing mouth
of a great river.
Now, desire an abandoned
house on a dark treeless street.
Roof shorn, doors and windows
kicked in, burned beams exposed.
Blood heat turned guilt-fire letter,
feeble inquiry, do you think
you’re well enough tonight?
Pleasure trek off-ramped with pain—
to do, to do, to do?
I see your face across the park.
The plum lips, toothy smile,
eyes warm as turned spring earth:
how lovely you truly are.
In the invalid gurney we’ve set up
in our living room, stairs to the king
sleigh bed overgrown in burr
and thistle, I brush your cheek.
Doe softness, but you cannot wake,
Tunneled deep into sleep.
I burrow into your side to wait out
the storm of the flesh’s misery.
Holding you for what is always
perhaps the last time, I am sure,
somewhere, you do the same.
5 Poems by John Jeffire
John Jeffire was born in Detroit. In 2005, his novel Motown Burning was named Grand Prize Winner in the Mount Arrowsmith Novel Competition and in 2007 it won a Gold Medal for Regional Fiction in the Independent Publishing Awards. Speaking of Motown Burning, former chair of the Pulitzer Jury Philip F. O'Connor said, “It works. I don't often say that, but it has a drive and integrity that gives it credible life....I find a novel with heart.” In 2009, Andra Milacca included Motown Burning in her list of “Six Savory Novels Set in Detroit” along with works by Elmore Leonard, Joyce Carol Oates, and Jeffrey Eugenides. His first book of poetry, Stone + Fist + Brick + Bone, was nominated for a Michigan Notable Book Award in 2009. Former U.S. Poet Laureate Philip Levine called the book “a terrific one for our city.” His most recent book, Shoveling Snow in a Snowstorm, a poetry chapbook, was published by the Finishing Line Press in 2016. For more on the author and his work, visit writeondetroit.com.